Mens Thong Vs Jockstrap

movie: Robin Hood 2010 - The opinion

I am once again fallen into the trap of high expectations, it was Robin Hood but a safe box. Gladiator in tights, what can go wrong? The film joins seamlessly but in the long 'is' ok' series of movie blockbusters of the last 10years one. Slowly it becomes tiring and you'd like to have a memorable look block-buster.

Out of this disappointment, because I have long and like to formulate my opinion on movies, am a loyal but critical viewers of Hollywood blockbusters, I put maybe one or the other Kurzrezi between the posts.

The film has a grand entrance, then a tough middle section and a short, undramatic, battered by the end.

It's not really about the legend of Robin Hood, except for the decisive play with the Merry Men for example a minor role and their appearance only extended playing time (the film runs 2 1 / 2 hours). Instead, it's about as to the situation of Robin Hood (Forest-Sheriff Prince) comes. And this bow is pulled totally out of two hours, to him, then at the end construct within minutes deal, making the preliminary skirmishing was largely unnecessary. A real long bow (Schenkelklopfer). The actual plot is laid out much larger and it's right around the whole of England and the war against France. It then again historical facts (and technologies) are fictitious and changed. Interpretation means the most today. Man jumps from time to time at different locations, to France or to the royal court in London, the important people in very important things to discuss, so as to create epic and size, but fails every time at the small-mindedness of the film. There are dozens of people illuminated in more detail in separate scenes that are irrelevant to high to Richard the Lionheart but really all. The nations spanning story culminates in a miniature invasion of England, each of the hunting party of the English king as a giant orc army would make it look. And then there is shit sometimes brazenly, the D-Day scene from Private Ryan stolen.

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But at the same time repeatedly Robin (+ Marian) dragged into the center deteriorates, the whole war, including a subplot intrigues, while the film in the middle part with absolute trivialities staying. One wonders again why you have seen a scene or just annoyed that you get information that even 20min. later and play until the end do not matter. The plot is basically just a patchwork of scenes, which were several revisions of the script have.

The movie makes a slow pace, as only rarely in blockbusters get to see what I eligible capital at him. Stupid thing is that the makers have forgotten how to properly use this slowness and filled with interesting scenes.

was expected, Crowe miscast, maybe he also plays poorly (actually, he does not play), although I see him so happy and nice find. Perhaps it is because he in the movie might have only 10 words of text. But as he in 90% of the quiet, low-action scenes, dialogue occurs (and there are far more than action scenes), then set it on a lengthy affair.

the other actors play good but they are especially Blanchett (Marian) and Max von Sydow (Baron Loxley) convincingly, and the rollers also up mainly in the supporting roles well cast, but is just now Prince John as Latin Over cut that is to be an Englishman and not a bit busy to understand, and nor is inappropriate as Crowe to Oscar Isaac. Invented by the new villain who runs round somewhere between Vader and darh Damodar , on the one does not know and has no drive, not to mince matters. No memorable performances à la Alan Rickman should be recorded here.

Very well done, the equipment and the fight scenes, but as expected today, so also nothing more. As positive, the pleasant traditional soundtrack with catchy melodies and strings should be emphasized that a little 'old school' spray Adventure Spirit. There is surprisingly little obvious CGI (mostly in panoramas and I can forgive it). You tried obsessively to reconstruct the imperfect, muddy gray look of rainy Saturday afternoons of the 80's, early 90's films (as quoted in Kostner's Robin Hood), who somehow seemed more "authentic", but never was, and by the even children's movies like the Blair Witch Project worked, what they then unfortunately artificial by much too much have made lighting and filter broken. Since then Kevin Kostner also helps the memory no longer extension. It will play on the green lawn, but looks like most of the studio. Equally divided songwriter in the Middle Ages representation, ranging from pseudo-authentic, camp and village life set, adult actors, to comic relief, oneliners, superheroes and parties.

short, the film could be between Kostner (King of Thieves) and Mel Gibson (Braveheart) and Crowe himself (Gladiator) do not decide. And against all three, he loses.
It would be better the original story had been in a constant style and memorable people consistently again follow through.

I WILL find the movie very well and like him, for he illuminated moments and here and there HAS flashes on the soul, but suffice it to a satisfactory only what is really annoying. He was so bumpy in speed and so ambiguous between great and botch that one does not know what to make of it.
If this film but again only have been a platform for practice, because the film belongs to exactly where you would like to start to see, I would probably fall into the trap again.